Like Jonathan Sterne before him, Michael J.
Finally, data sonification proceeds from another approach to visual and sound archives by correlating visual data to sound outputs. The practice of data fusion (a concept borrowed from Lev Manovich) has led to the production of a new media object useful for historical inquiry by systematically connecting visual archives and sound archives pertaining to the same event. Kramer conceives his methodology through three types of action: the use of digital sound design has made it possible to “amplify the meaning” of a historical event. By drawing on the contributions of the “auditory turn” and the possibilities offered by the processes of “sonification” of data, the historian does not only plan to change his outlook on the digital archive, but also to change its sensory comprehension in service of generating new interpretations of the past. As part of a research project on the Berkeley Folk Music Festival, the historian observes a digital photograph of the blues singer and guitarist Mance Lipscomb taken during a concert in July 1963 and questions the nature of the gaze directed by the historian on this “digital silhouette”. Kramer has laid the groundwork for a sonic analysis of images 1. Involved in both research in Digital History and in the field of Sound Studies, historian Michael J. Dans cet entretien, il explique ses expériences, sa méthodologie et les enjeux de la sonification des données en histoire culturelle.
#Photosounder images archive
En s'appuyant sur les apports du « tournant acoustique » ( Acoustic Turn ) et sur les possibilités offertes par les processus de « sonification » des données, l ’ historien n ’ envisage pas seulement de changer son regard sur l ’ archive numérique, mais d’en faire évoluer sa compréhension sensible. Dans le cadre d'un projet de recherche sur le Berkeley Folk Music Festival, il observe une photographie numérique du chanteur et guitariste de blues Mance Lipscomb prise lors d'un concert en juillet 1963 et interroge la nature du regard porté par l'historien sur cette « silhouette numérique ». Kramer analyse les sources sonores numérisées dans leur dimension sociale et culturelle ainsi que dans leur dimension matérielle, les envisageant comme des objets encodés selon un protocole qu’il s’agit de documenter. The following is a non-exhaustive list of what has been found that can be done using Photosounder.Dans le sillage des travaux de Jonathan Sterne, l ’ historien américain Michael J. A demo version is available, with the ability to save the resulting sound to file disabled, and a short silence inserted every 12 seconds. It can also run on Linux using the latest development release of Wine.
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Photosounder is available for Windows (2000, XP, Server 2003 and Vista), Mac OS X 10.4+ Universal (Tiger, Leopard, Snow Leopard, on both PowerPC and Intel machines). This groundbreaking approach is what allows us to push the boundary of what we thought was possible. Photosounder turns sound processing problems into image processing challenges, and brings the power and flexibility of familiar image processing tools to the creation and transformation of sounds. Photosounder is a cutting edge spectral editing program, offering the best spectrogram editing and synthesis capabilities, making use of unique spectrograph, synthesis and filtering algorithms developed specifically to achieve the best results possible. Ultimately, knowing how sounds look and how images sound, you'll be able to create images that sound like what you want to hear, or like what you couldn't imagine to hear. Sounds, once turned into images, can be powerfully modified to achieve effects and results that couldn't be obtained in any other way, while images of all sorts reveal the infinite kinds of otherworldly sounds they contain. It is unique in that it opens images and sounds indiscriminately, treats and processes them as images, and synthesizes them as sounds. Photosounder is a one-of-a-kind image-sound editing program.
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Photosounder for Windows 10 - Full description
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